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HomePress Releases19th Century Photographs Offer Compelling ‘Backstage’ Glimpse

19th Century Photographs Offer Compelling ‘Backstage’ Glimpse

FOR IMMEDIATE RELEASE

Costumed Subjects Transformed into Variety of Characters

Victor Plumier, Belgian (1820–1878). Lady in Costume, about 1850. Daguerreotype, half plate, 5 1/2 × 4 1/2 inches. The Nelson-Atkins Museum of Art, Gift of the Hall Family Foundation, 2007.17.28.

Kansas City, MO. Aug. 8, 2024–Early photography is ripe with creative fictions. Actors, children, aristocrats, models, artists, psychiatric patients, maids, and all manner of the working class posed in front of cameras and were transformed into figures from history, literature, the Bible, or into an idealized version of themselves. Still Performing: Costume, Gesture, and Expression in 19th Century European Photography, which opens at The Nelson-Atkins Museum of Art in Kansas City Aug. 24, celebrates the unique and compelling ways 19th century European photographers used the medium to explore and document performance, transforming the photographer’s studio into a theatrical stage. The exhibition runs through Jan. 12, 2025.

“The subjects in this exhibition were highly influenced by popular entertainment—live theater, tableaux vivant, and dioramas—as well as tastes and trends in painting, drawing, and sculpture,” said Julián Zugazagoitia, Director & CEO of the Nelson-Atkins. “These works were made in a time of anxiety about photography’s relationships to the fine arts and reflect a close intermingling between the worlds of the ‘high’ and the ‘low’.”

Visiting a photographer’s studio in Europe in the mid to late 1800s was like going behind the scenes of a theatrical production. Props, backdrops, costumes, curtains, and controlled lighting converted otherwise ordinary portrait sessions into staged productions. Whether working in their homes or commercial studios, photographers cast themselves, friends, actors, models, and strangers in their photographs, transforming them into all types of characters, from young pickpockets to ancient Greek gods.

Adrien Tournachon, French (1825–1903) and Nadar [Gaspard Félix Tournachon], French (1820–1910). Pierrot Yawning, 1854. Salt print, 11 1/4 × 8 1/2 inches. The Nelson-Atkins Museum of Art, Gift of the Hall Family Foundation, 2017.61.39.

“These portraits are so fascinating, and I think our guests are going to be amazed at the rich creative complexity found in European photography’s first 50 years.” said Marijana Rayl, Assistant Curator, Photography.

Deliberately made, not casually taken, these staged photographs are often the result of collaborative efforts between photographer and sitter, such as with a series of portraits of Virginia Oldoini, the Countess of Castiglione. A prodigious narcissist, or perhaps just ahead of her time, the countess collaborated with the photographer Pierre-Louis Pierson to produce hundreds of portraits, directing every aspect of the picture-making process. Included in Still Performing is a very rare, hand-colored portrait of the countess.

The resulting photographs are an outstanding array of complex and compelling fictions showcasing the medium’s early creative potential.


The following programs are planned in conjunction with this exhibition:

Deaf Cultural Festival ASL Art Walk
Saturday, August 24, 2024
11–11:30 am, 2–2:30 pm
Meet in Bloch Lobby, proceed to galleries L10-11The free Deaf Cultural Festival honors the rich history of art, identity, and empowerment in the d/Deaf and hard of hearing communities. Explore American Sign Language through hands-on art activities and enjoy entertainment from distinctly Deaf perspectives. Follow Deaf Educator Micki Keck to the photography galleries, where participants will discuss and learn about the new exhibition Still Performing: Costume, Gesture, and Expression in 19th Century European Photography. Note: This Art Walk is first-come, first-served and limited to 15 spots per tour.

Book Discussion: Exposition by Nathalie Léger
Thursday, January 9, 2025, 6–7 pm
Spencer Art Reference Library Reading Room, Bloch Building
Join Marijana Rayl and Spencer Art Reference Library staff Amelia Nelson and Stephanie Lawrence in a discussion of Léger’s book Exposition. In Exposition, Léger explores the life of the legendary Countess of Castiglione (1837-1899). Notorious for her scandalous love affairs and renowned for her beauty, the Countess used photography to transform herself into an icon, creating a remarkable body of self-portraiture that defied the conventions of her day.

The Curator and Conservator are IN!
Thursday, September 26, 2024
6-7pm $8 public, $5 members
Galleries L10-11
Get to know the stories behind the exhibition with Assistant Curator Marijana Rayl and Conservator Saori Lewis.

Check nelson-atkins.org for the latest programs.


Organized by The Nelson-Atkins Museum of Art. Generous support provided by the Hall Family Foundation.


Image captions:
Victor Plumier, Belgian (1820–1878). Lady in Costume, about 1850. Daguerreotype, half plate, 5 1/2 × 4 1/2 inches. The Nelson-Atkins Museum of Art, Gift of the Hall Family Foundation, 2007.17.28.
Adrien Tournachon, French (1825–1903) and Nadar [Gaspard Félix Tournachon], French (1820–1910). Pierrot Yawning, 1854. Salt print, 11 1/4 × 8 1/2 inches. The Nelson-Atkins Museum of Art, Gift of the Hall Family Foundation, 2017.61.39.

 

The Nelson-Atkins Museum of Art

The Nelson-Atkins in Kansas City is recognized nationally and internationally as one of America’s finest art museums. The museum opens its doors free of charge to people of all backgrounds.

The Nelson-Atkins serves the community by providing access to its renowned collection of more than 42,000 art objects and is best known for its Asian art, European and American paintings, photography, modern sculpture, and Native American and Egyptian galleries. Housing a major art research library and the Ford Learning Center, the Museum is a key educational resource for the region. In 2017, the Nelson-Atkins celebrated the 10-year anniversary of the Bloch Building, a critically acclaimed addition to the original 1933 Nelson-Atkins Building.

The Nelson-Atkins is located at 45th and Oak Streets, Kansas City, MO. Hours are 10 a.m.–5 p.m. Friday through Monday; 10 a.m.–9 p.m. Thursday; closed Tuesday and Wednesday. Admission to the museum is free to everyone. For museum information, phone 816.751.1ART (1278) or visit nelson-atkins.org.


For media interested in receiving further information, please contact:

Kathleen Leighton, Manager, Media Relations and Video Production
The Nelson-Atkins Museum of Art
816.751.1321
kleighton@nelson-atkins.org