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Painted Worlds: Color and Culture in Mesoamerican Art
HomeExhibitionsPainted Worlds: Color and Culture in Mesoamerican Art

Painted Worlds: Color and Culture in Mesoamerican Art

Painted Worlds: Color and Culture in Mesoamerican Art explores the relationships between color, creation, and the cosmos in Mesoamerica, a region comprising most of what is now Mexico and Central America. ​

Indigenous Mesoamerican artists – as creators and keepers of religious, cultural, and cosmological knowledge – had a critical role in shaping their world. By manipulating natural materials, they created richly colored objects that manifest their views of the cosmos, time, and place. Painted Worlds explores the insights behind the colors and materials in Mesoamerican art from its ancient, prehispanic past and how these traditions inform contemporary indigenous artists today.​

Spanning 3,000 years of multisensory artistic practice, Painted Worlds features some 250 objects from collections across Mexico, Europe, and the United States-including the Nelson-Atkins’s own collections. The first exhibition showcasing ancient Mesoamerica in forty years at the Nelson-Atkins, Painted Worlds provides an unprecedented opportunity to experience objects rarely or never seen before in the US, including an extraordinary prehispanic book of divination (the Codex Laud, pictured below), brilliantly colored ceramics, glittering mosaics, sparkling mural fragments from Teotihuacan, and vibrant, intricate textiles. ​

Painted Worlds showcases the technical and cosmological sophistication of Mesoamerican art, as revealed by modern science and in dialogue with historical sources that illuminate the religious functions and cosmic symbolism of color in artistic practices. Color is Life.

Figural Urn, Zapotec, 500–600 C.E.  Clay and pigment, 25 x 25 x 12 1/2 inches (63.5 x 63.5 x 31.75 cm). The Nelson-Atkins Museum of Art, Purchase: William Rockhill Nelson Trust, 61-16.

Organized by the Los Angeles County Museum of Art. In Kansas City, generous support provided by Lilly Endowment Inc., Paul DeBruce and Linda Woodsmall-DeBruce, G. Kenneth and Ann Baum Philanthropic Fund, Evelyn Craft Belger and Richard Belger, Don Hall Jr., Neil Karbank and Gretchen Calhoun, Richard J. Stern Foundation for the Arts, the Campbell/Calvin Fund for Exhibitions, the Henry & Marion Bloch Foundation Fund, and JE Dunn Construction.

Eva Peréz Martínez. Zacatlaxcalli Vignette, Nahua, Mexico, Guerrero, Xalitla, 2023.  Watercolor on amate, 7 7/8 x 11 3/4 inches (20 x 30 cm). Los Angeles County Museum of Art, commissioned with funds provided by Lillian Weiner. © Eva Peréz Martínez, photo © Museum Associates/LACMA, by Javier Hinojosa.
Header: (Detail) Codex Laud (Codex Mictlan), Mexican, Pre-Hispanic, possibly 15th century. Painting on gesso ground, deerskin with covers of jaguar skin, each page: approx. 6 1/2 x 6 1/8 inches. Bodleian Libraries, University of Oxford, MS. Laud Misc. 678. Photo © Bodleian Libraries, University of Oxford.​